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"The Brain of Colonel Barham"
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Opening Narration:
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"With the world growing more crowded, the great powers
strive to conquer other planets. The race is on. The interplanetary sea
has been charted; the first caravelle of space is being constructed. Who
will get there first? Who will be the new Columbus?"
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Plotline:
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Colonel Barham is a bitter disabled man with a terminal
illness and that moves on a wheelchair which is selected to go on Mars
but only his brain under the envelop of a robot will be aboard the ship.
More frustrated than ever, the bodyless brain turns out to be megalomaniac
and rebels against the Officials to rule. Armed with a rifle, the General
in charge of the project shoots down and makes the brain's room explode.
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Closing Narration:
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"Progress goes on. One experiment fails, but even out
of failure valuable lessons are learned. A way will be found, someday,
somehow. It always is."
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Quote:
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"The subconscious' drives may be released. The
disciplined could simply collapse. And for someone who is an egocentric,
it wouldn't take much to do it... No, in my opinion, Colonel Barham was
the wrong choice for this experiment."
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Major Douglas McKinnon (Grant Williams)
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Comments:
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The prologue recycles the start of the
dream scene from "Cold Hands, Warm Heart". To save that poor
drama, the writer injects matrimonial melodrama elements: Barham accuses
McKinnon to have an affair with his wife but we learn Barham used to go
with other women. Only two scenes allow us to watch some action: the brain
orders, hypnotize (see the cheap jolts of electricity) and turns two men
into zombie-slaves: technical assistant Ed Nichols to kidnap his wife
and surgeon Dr. Rahm to gun down McKinnon. Music supervisor John Caper
Jr. turn in Harry Lubin's cues very camp and formulaic: ad nauseum; he
also uses the sound effects of "The Human Factor" to suggest
the brain activity into the dials. This episode shows a cruel dilemma:
a man has to undergo the mutilation of his body for the benefit of space
advancement that reminds the case of Allen Leighton from "The Architects
of Fear"as Leighton, Barham's brain communicates with a voice
box: "I feel pain". This is the bottom of season 2 and a real
snooze job that makes you yawn with boredom... conventional, static, anemic,
hackneyed, grey and cheap military and hospital drama with an unengaging
and uninvolving cast and implicitly inspired by Curt Siodmak's novel:
"Donovan's Brain"whose screen's adaptation was directed
by Felix Feist who has also ended this season. This is the last Space
program plot (see "Cold Hands, Warm Heart" and "The Invisible
Enemy") with the idea of colonization (see "The Mutant"
and "Cold Hands, Warm Heart"). The figure of the brain was subtly
treated during season 1. Now, it's much too literal-minded. Once again,
find an actor who used to play in Robert Aldrich's "Kiss Me Deadly"
and John Frankenheimer's "Seconds": Wesley Addy. Anthony Eisley
also plays in Samuel Fuller's "The Naked Kiss" along with Constance
Towers. Grant Williams used to be the lead in Jack Arnold's "The
Incredible Shrinking Man". TV Ananlogy: The pilot of Roald Dahl's
1961 anthology "Way Out": "William and Mary" also
deals with a brain divorce.
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